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DTSTART;TZID=Europe/Helsinki:20260707T193000
DTEND;TZID=Europe/Helsinki:20260707T193000
DTSTAMP:20260418T181650
CREATED:20250828T154208Z
LAST-MODIFIED:20250902T161842Z
UID:13776-1783452600-1783452600@www.ensemble-recherche.de
SUMMARY:Der Zukunft zugewandt - ABO 5
DESCRIPTION:In this evening\, two bodies of sound of the Freiburg music scene collide – they both comprise the same instruments but could not be more different in their musical directions. Ensemble Recherche teams up with the Philharmonic Orchestra of Freiburg in this concert. What happens\, when a chamber ensemble with nine members works with a symphony orchestra of around 70 people? Does an asymmetry or field of tension arise\, in which special qualities of each formation influence and inspire the other? \nThe evening opens with Murmurs by Rebecca Saunders\, which was composed in 2009 for Ensemble Recherche. It dances on the verge of inaudibility: whispers\, traction and breath – a fragile web of tension and silence. The sounds are not set; instead\, they are ephemeral and always in motion. \nThe highlight of the evening is the premiere of a new piece by Mirela Ivičević\, commissioned by the Freiburg Theatre. Both ensembles enter into a conversation with this piece. Ivičević accentuates the respective strengths of each ensemble and the contrasts between them\, by creating a patchwork of different movements\, in which the musicians of Ensemble Recherche play as soloists or in smaller subgroups\, in contrast to the fullness oft he orchestra. The composer conceives of music as an energy-charged process\, as a frictional surface – and finds a musical language\, one which is especially suitable for a special exchange between two ensembles. \nThe finale of the concert is Béla Bartók‘s Suite The Miraculous Mandarin\, interpreted by the Philharmonic Orchestra Freiburg- a work\, which was already considered transgressive at the time of its premiere. till today\, it is a symbol for the nexus of artistic radicality and cultural openness. \n  \nWith works by\nBéla Bartók\, Rebecca Saunders and Mirela Ivičević* (UA) \n*Composition commissioned by the Freiburg Theatre\, made possible by the Ernst von Siemens Music Foundation \n  \nENSEMBLE RECHERCHE\nAnja Clift\, flute\nEduardo Olloqui\, oboe\nShizuyo Oka\, clarinet\nKlaus Steffes-Holländer\, piano\nChristian Dierstein\, percussion\nAdam Woodward\, violin\nSofia von Atzingen\, viola\nÅsa Åkerberg\, violoncello\nLukas Nowok\, sound design \nPHILHARMONIC ORCHESTRA FREIBURG \nAndré de Ridder\, Musical direction \n  \nTickets\navailable at Theater Freiburg. \n  \nIn cooperation \nwith the Freiburg Theatre \n  \nSupported by\nFriends of Ensemble Recherche e. V.
URL:https://www.ensemble-recherche.de/event/der-zukunft-zugewandt-abo-5?lang=en
LOCATION:Konzerthaus Freiburg\, Konrad-Adenauer-Platz 1\, Freiburg\, 79098\, Deutschland
CATEGORIES:Subscription Freiburg
ATTACH;FMTTYPE=image/jpeg:https://www.ensemble-recherche.de/wp-content/uploads/20250626_04-scaled.jpg
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