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DTSTART;TZID=Europe/Helsinki:20270205T200000
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DTSTAMP:20260730T080006Z
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UID:15319-1801857600-1801857600@www.ensemble-recherche.de
SUMMARY:REINGELAUSCHT - REINGESCHAUT - ABO 3
DESCRIPTION:Our concept of music does not end at the ear. Sound emerges in the interplay of perception\, gesture\, image\, and imagination – what we see shapes what we hear\, and vice versa. \nAfter our first REINGELAUSCHT concert last season we now shift our focus towards the visual. When does something tip from the visual into the sonic? When does a sign turn into sound? For centuries\, composers have explored expanded forms of notation – not as illustration\, but as an independent musical practice. \nIn REINGELAUSCHT – REINGESCHAUT\, we encounter four such approaches. The starting point is Treatise by Cornelius Cardew – a key work of graphic notation. Dots\, circles\, and lines structure the score without fixing it. Send us your interpretation of Cardew’s score printed on pages 14/15\, and experience how we interpret it in concert! Beltrán González’ Every Fragment a Fragment is based on East German family holiday slides\, texts and media. Through live manipulation of archival images\, private memories are transformed into shifting landscapes of speculation\, distortion\, and poetic reconstruction. In Leaves in Marble\, Elena Rykova develops her own fragile notational system. Between traditional notation and drawn gesture\, a space emerges in which musical imagination is not fixed\, but in motion. In Micrography\, Macri Cáceres goes further: the performers wear the score itself on their bodies. Inspired by historical textiles\, the visual is translated into performance. Colour becomes sound\, density becomes texture\, emptiness becomes silence. \nJoin us in exploring the connections between the visual and the acoustic\, develop your own graphic scores – and experience their immediate musical realization. Here music emerges at the thresholds: where an image tips and morphs\, where a sign becomes uncertain\, and where sound begins. \n  \nWith works by \nCornelius Cardew\, Beltrán González\, Macri Cáceres\, Elena Rykova \n  \nENSEMBLE RECHERCHE \nAnja Clift\, Flute\nEduardo Olloqui\, Oboe\nShizuyo Oka\, Clarinet\nKlaus Steffes-Holländer\, Piano\nChristian Dierstein\, Percussion\nAdam Woodward\, Violin\nSofia von Atzingen\, Viola\nÅsa Åkerberg\, Cello\nLukas Nowok\, Sound Design \n  \nTickets  \navailable at reservix.de and at the box office. \nTo purchase a subscription\, please click here. \n  \nSupported by\nFreunde des Ensemble Recherche e.V.
URL:https://www.ensemble-recherche.de/event/reingelauscht-reingeschaut-abo-3?lang=en
LOCATION:Ensemblehaus Freiburg\, Schützenallee 72\, Freiburg i.Br.\, 79102\, Deutschland
CATEGORIES:Subscription Freiburg
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